Gustella Inline

<p>TYPE BY Gustella superfamily, designed by Thomas Thiemich, was published in May 2019 on Type By launch, next to Cobertura, Rosalinde, Fakt Mono, and Fakt Stencil.</p> <p>A rare cherry on the pie — this could be its shortest and most eloquent description of Gustella. It was conceived to catch and endear the graphic designer&#39;s eye, and it succeeds just that, with Brio. Placing Gustella in the not-so-distant past, it might be related to the extreme slab serifs — the ones we see in Hollywood Western movies, mostly used to compose the word &#39;WANTED&#39;.</p> <p>This late nineteenth century &#39;WANTED&#39; model, which was already over the top, was nothing compared to the lettering of the hazy &#39;universe&#39; of Hippy-culture and its sense of freedom [created by its lettering]. This surely contributed to the acceptance of high contrast treatment within the letters, which simply cannot be more extreme, or more against the grain of tradition.</p> <p>In the seventies, the uber-high-contrast phenomenon slowly penetrated graphic design but kept belonging to a subculture of sorts. Graphic designers took out the strong waves and somewhat tamed the extreme contrast: just as we see on the record sleeve of David Bowie&#39;s Hunky Dory album (1973).</p> <p>Four decades on, such extreme display designs have returned and ready to embrace one of digital technology&#39;s greatest gifts: precision. And, in skilful hands, the level of contrasted &#39;juiciness&#39; can be cranked up significantly, so the style might enjoy a second life.</p> <p>Gustella answers that challenge to its fullest, yet it is much more than just a skilful re-drawing. It&#39;s a contemporary design and it succeeds in bringing novelty to the reverse-contrast design niche. Thiemich&#39;s mastery shines in every Gustella variant, from the Solid to Boxed, Inline, and the spectacular Stripes version.</p> <p>Gustella superfamily consists of four weights of roman designs across four families: Solid, Stripes, Inline, and Boxed. All variants share identical metrics and can be used independently or overprinted to a spectacular effect. Its character set includes stylistic alternates, figures (each in tabular and proportional widths); fractions; comprehensive superiors, inferiors, numerators and denominators; case sensitive punctuation sets; mathematical and monetary symbols; arrows; standard and discretionary ligatures (with their stylistic alternates); and a complete range of accents for all Western, Central and East European languages based on the Latin script.</p> <p>Gustella fonts are available in OTF CFF, TTF, WOFF, and WOFF2 formats. Legacy font formats are available on request.</p>

Published by Type By

Classification
serif

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